Salome's detached reaction is more troubling to the viewer's moral sensibilities than horror or satisfaction â her cold reception implies an amorality which may reflect a society which was beginning to question the validity of traditional Christian moral teachings. According to the gospel of Luke 1:67–79, John was the son of Zechariah the priest and Elizabeth. It has a quiet, sad and melancholic mood and its colouring has strong similarities to previous works of Caravaggioâs that came earlier before Sicilian sojourn. Encouraged by her mother, she asked for the Baptist’s head, and the King had John executed. During this period of Caravaggio's life, the painter had fled from Rome to Naples, after being sentenced to death for his involvement in a deadly brawl, and now, in 1607, removed from Naples to Malta, and shortly after relocated to Sicily. as well as oil paint, appeared to be present in a sample of paint taken from Salome's white scarf. Caravaggio's immediately preceding Sicilian sojourn. Salome with the Head of John the Baptist (London), c. 1607/1610, is a painting by the Italian master Caravaggio now in the collection of the National Gallery in London. The painting of Salome with the head of John the Baptist 1609 measuring 91.5 cm by 106.7 cm is a painting by Italian art master Caravaggio and can be found in the National Gallery, London. John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).. an obvious link with the two Flagellations of 1607 in the person of the executioner, who is facially similar to his counterparts in those paintings. The palette used is richer, the figures are similarly set against a shadowy background, highlighting their features. Here, the stark contrast between light and shadows throws each figure's features into stark relief, facilitating the artist's exploration of their emotional responses. According to a slow version of the subject with Caravaggio, the image was said to have been sent from Naples to Alof de Wignacourt in Malta where they hoped to regain the Grand Masters favour after the artist had been evicted from the Order of the Knights of St. John in 1608. It was created by Michelangelo Merisi da Caravaggio in 1607. The National Gallery picture, on the other hand, is distinguished by a handling and raking light similar to canvases of 1606/07 and has The Beheading of Saint John the Baptist is an oil painting by the Italian artist Caravaggio.According to Andrea Pomella in Caravaggio: An Artist through Images (2005), the work is widely considered to be Caravaggio's masterpiece as well as "one of the most important works in Western painting." All Rights Reserved. The handling and the raking light link this painting to works done in Naples during the artist's brief stay in the city during 1606–1607, an impression confirmed by the balances between Salome and the Virgin in the Madonna of the Rosary, and between the executioner holding the head of the Baptist and one of the two torturers in Christ at the Column and The Flagellation of Christ. The image depicts the execution of John the Baptist while nearby Salome stands with … However, the national gallery has some doubts as to the paintingâs legitimacy and collections. Copyright © 2009-Present www.Caravaggio.org. The handling and collection of this picture light link it to other works done in the city of Naples during the artistâs short stay there from 1606-1607. Oil on canvas. Beyond Caravaggio is the first major exhibition in the UK to explore the work of Caravaggio and his influence on the art of his contemporaries and followers. Malta was the military outpost of the Roman Catholic faith that was entrusted to the Knights of St. John. The painting similarly combines a muted palette and chiaroscuro to capture a bright, yet human, Christ against a shadowy background.
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