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how many bach cello suites are there | Bread Market Cafe

how many bach cello suites are there

how many bach cello suites are there

Courante, Suite No. B: Johann Peter Kellner, 1726 The fact that Mr. X plays beautifully doesn't mean that what he's playing is what Bach intended. Unlike for Bach’s solo Violin Sonatas and Partitas, the autograph manuscript (in Bach’s handwriting) of the Cello Suites has been lost. (3) Modern scholarly editions with performance suggestions. A Casals edition would have become holy writ to a large segment of our community, and discouraged the vital personal research and interpretive creativity the Suites demand. Click on the links in order to look at the Suites one by one: Suite I                        Suite II                        Suite III Architectural and contrapuntal, Bach’s mathematical and organic poetry will have been able to travel highly through time, inspire all sorts of currents and instrumentations. This "filtering" of the composer's intentions presents huge problems for interpreters. Their eyes are no better than yours, as far as discerning what is actually in the early copies, and their judgment as to where a slur should fall, or which of the possible rhythms in a disputed measure is best, carries no more authority than yours or mine. I often recommend Beisswenger’s edition to my college students because it’s very reasonably priced. So often, the most wonderful cello soloists will follow-up their brilliant concerto performance with an encore from the Bach Suites, played in the style of a beginner-cellist, with no expression, no vibrato, no dynamics, no phrasing, fingerings all in the first position etc. WHY MAKE ANOTHER EDITION OF THE SUITES WHEN THERE ARE ALREADY SO MANY AVAILABLE? from The Recent Editions of the Bach Cello Suites by Dimitry Markevitch, "But we must recognize that no edition, if studied, survives unmarked by the player. 5 in C Minor, BWV 1011: I. Prélude, Suite No. As with the many other available editions made by cellists, these “Edited Versions” are the culmination a lifetime of searching, struggling, imagining and experimenting with different bowings, fingerings, articulations, dynamics etc. ), and comparing editions has been a big part of it. Courante, Suite No. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Wenzinger was one of the earliest exponents of HIPP (historically informed performance practice), and while scholarly editions have evolved since his time, it stands up pretty well. The other is a “performance edition” that might better be termed an arrangement, because it’s …. Yes, I’m that meanypants teacher who drills students on Lee, Kummer, Dotzauer, scales, arpeggios, the whole nine yards, before they’re even allowed to approach even thinking about possibly considering whether they might one day learn the Bach Suites. If you’re unsure what to buy and you can only afford one edition, get this one. This copy was clearly made from a different manuscript than the Kellner, and given her relationship we would surmise that she copied from Bach's final version at that time. Change ), You are commenting using your Google account. But it’s also an older style of playing and one that I don’t want to even attempt to replicate (not that I could!). 1 in G Major, BWV 1007: I. Prélude, Suite No. by Douglas Woodfull-Harris & Bettina Schwemer, "All these new editions are interesting to examine but, even if each has their own qualities, too few are the product of professional cellists with a good historical and musicological background. Hugo Becker and Julius Klengel, the top teachers of their day, both have editions. He took them home, began to play them, and fell in love. Whichever one of us is wrong will then be bowing everything "backwards" until the next such fork in the road. [16]. The cello suites may have been an experiment to see how much he could omit, making the listener fill in the gaps of harmony and counterpoint for him or herself… I try to find my sound-world for the Suites by imagining that I am kneeling (appropriately enough) on the bank of a stream, and looking at the rocks and pebbles in the stream bed. in a later version for the lute. Yet there are many questions and discussions about these Suites a Violoncello Solo senza Basso. Maybe it’s not for sale any more? I might as well subtitle this category “Slightly odd things Miranda thinks are cool.” So, speaking of the much-maligned Grützmacher, he made two editions. Wow, I just checked and I couldn’t either. I know why the editors made their suggestions — they’re making the repertoire playable for first-timers with small hands. Well, maybe, but I think it’s still worth giving them a chance. Are you invested in the historically informed performance practice of early music, or are you a traditionalist who prefers a more “romantic” style of playing? ( Log Out /  I’ve spent a lot of time with Bach editions recently as part of a sabbatical book I’ve been writing on the Cello Suites (currently attempting to find literary representation…pray for me, y’all! With many pieces, one can simply rely on the fidelity and accuracy of a high-quality edition such as Henle, prepared either from autographs or composer-supervised prints. 1 in G Major, BWV 1007: IV. 2 in D Minor, BWV 1008: V. Menuets, Suite No. They have inspired not only cellists and audiences but other artforms as … The uncertainties surrounding the text have liberated creative cellists to develop their own synthesis of the known, the guessed-at, and the added-to. It was another fifty years before the inquisitive eyes of a thirteen-year-old cellist by the name of Pablo Casals found a battered copy of the suites, thought of then as a collection of humdrum studies for the aspiring cellist, in a second-hand music store in Barcelona. He took them home, began to play them, and fell in love. Sometimes cellists add ornaments when playing a repeat to add variety to their performance. Since these points of ambiguity come at an average rate of one per measure, the entire enterprise collapses upon itself. The cello suites may have been an experiment to see how much he could omit, making the listener fill in the gaps of harmony and counterpoint for him or herself… In looking over the various copies, there are several possible versions, plus additional variations that are still arguably what Bach may have wanted. 5 in C Minor, BWV 1011: II. No part of this blog post may be reproduced without permission of the author. (Photo: Library of Congress) Cellist Pablo Casals. I seldom use an edition, but if I ever need an unmarked one I go straight to the 2017 edition by Shin-Itchiro Yokoyama (at the unbeatable price of free, via IMSLP). 2 in D Minor, BWV 1008: II. 4 in E-Flat Major, BWV 1010: III. An MQA file is backward compatible so will play on any device. ", "When it comes to "Urtext" editions, we are faced with an "ideology" that is now slowly being abandoned. Most of all, we must use taste, imagination, and fantasy. Many places in Source A and the other sources are ambiguous re: pitches, rhythms, articulations, ornamentation and so on (and in their defense, you should try writing with a quill pen while your 20 children are running around screaming! The greatest possible freedom in the constraint of his language is an unlimited pursuit with multiple and timeless savours which keep filling me with wonder, as if becoming a look tended to replace the fact of being in action, by the simple and pure strength of the musical text: it is all there. Supported by Windows with software player from Media Monkey, JRiver, JPLAY). Before we can make glorious music, create rainbows, or paint pictures, we must first know (or at least be as firmly convinced as possible about) exactly what text we are trying to bring to life. In these versions, another stave, with an accompaniment “walking bass line” has been added to the solo voice.

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