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schubert string quintet in c major 2nd movement | Bread Market Cafe

schubert string quintet in c major 2nd movement

schubert string quintet in c major 2nd movement

114 for Piano, Clarinet, and Cello, Francis Poulenc—Sonata for Horn, Trumpet, and Trombone, Franz Schubert—Quintet in C Major for Strings, D. 956, Giovanni Hoffman—Serenade for Viola and Mandolin, Johannes Brahms—Sextet in B-flat Major for Strings, Opus 18, MAURICE RAVEL—INTO THE LABYRINTH OF MIRRORS, Poulenc—Trio for Oboe, Bassoon, and Piano, Ravel’s Waltzes – Noble, Sentimental, Always Enchanting, Richard Danielpour—FEAST OF FOOLS, A Concertino for Bassoon and String Quartet, Richard Strauss--Till Eulenspiegel's Merry Pranks, The Great Strauss Tone Poems: A Composer’s Journey Through Young Manhood, THE SIAMESE CAT & THE LABRADOR: A look at the disparate creative styles that led Strauss and Hofmannsthal to "Ariadne auf Naxos", W. A. Mozart—Quintet in D Major for Strings, K. 593, W. A. Mozart—Trio in E-Flat Major for Clarinet, Viola, and Piano, K. 498, Christoph Willibald Gluck—ORFEO ED EURIDICE, LA FORZA DEL DESTINO—Verdi’s Giant Canvas, Richard Wagner — THE RING, Part I. DAS RHEINGOLD, RICHARD WAGNER — THE RING, PART II. Franz Schubert - String Quintet in C major, D. 956 - YouTube In choos­ing the instru­men­ta­tion for his Quin­tet, Schu­bert did not fol­low the path of Mozart and Beethoven, both of whom added a sec­ond vio­la to the nor­mal string quar­tet. But in most ways the piece remains quite conventional; it retains the standard four-movement format, and has an energetic scherzo (though a more wistful trio) and a zestful, almost Hungarian finale. Despite the bleak spaces of the slow movement, these movements suggest a youth's first steps into maturity, and the work as a whole serves as a tantalizing reminder of what might have been, had Schubert been granted more time to create and innovate.I'd recommend a video on YT called 'Schubert Adagio \"The Entrance to Heaven\"', where you can listen to Rubinstein's admiration for this string quintet. Franz Schubert — Quintet in C Major for Strings, D. 956 The work of Franz Schu­bert (1797 – 1828) con­stant­ly reminds us of the astound­ing pow­er of melody, and in this, his final instru­men­tal work, the com­pos­er penned some of his most rav­ish­ing. Schu­bert decid­ed, rather, to add a sec­ond cel­lo, which changes the sound of the instru­men­tal group in a strik­ing way, adding a dark­er, per­haps more grave sound to the ensem­ble. One might see this as an alter­na­tion between intro­spec­tion and a view of the world out­side the self, a dual­i­ty that con­tin­ues in the third move­ment. Schu­bert heard a pri­vate rehearsal of the work in Octo­ber, a month before he died. The tur­bu­lent sec­ond theme is a remark­able con­trast to the oth­er­world­ly open­ing theme. Schubert's only full-fledged strin… The work of Franz Schu­bert (1797 – 1828) con­stant­ly reminds us of the astound­ing pow­er of melody, and in this, his final instru­men­tal work, the com­pos­er penned some of his most rav­ish­ing. The Quin­tet was prob­a­bly writ­ten in Sep­tem­ber 1828. This Scher­zo is boun­cy, rol­lick­ing, high-spir­it­ed, while the movement’s Trio pro­vides a peri­od of repose. - Composer: Franz Peter Schubert (31 January 1797 -- 19 November 1828)- Performers: Végh Quartet \u0026 Pablo CasalsSándor Végh (violin)Sándor Zöldy (violin)Georges Janzer (viola)Paul Szabo (cello)Pablo Casals (2nd cello)- Year of recording: 1961 (Live in Prades, France)Quintet for 2 violins, viola \u0026 2 cellos in C major, D. 956 (Op. Schubert: String Quintet In C, D. 956 - 2. Emerson String QuartetSchubert: String Quintet In C Major D.956, Op. Adagio29:11 - III. The work is in four move­ments, and in each of them the com­pos­er pairs the instru­men­tal forces in such a way as to make them sound con­stant­ly new, a con­sid­er­able achieve­ment, giv­en the Quintet’s length. This arti­cle appeared orig­i­nal­ly in the pro­gram book of the San Fran­cis­co Sym­pho­ny and is used here by per­mis­sion. But the Quintet strikes one more as young man's music than as a summary statement; there is a youthful ambition that is not unlike that of Beethoven's first string quartets.For his scoring, Schubert went against the model of Mozart and Beethoven, who each added a second viola to the conventional string quartet for their quintets; Boccherini provided the only precedent for using two cellos. 1 in D Minor for Violin, Cello, and Piano, Opus 32, BAWDY HOUSE OR CATHEDRAL — A Slightly Irreverent Look at the Opera-Going Experience, Brahms—Trio in A minor, Op. Adagio - YouTube Franz Schubert's final chamber work, the String Quintet in C major (D. 956, Op.posth. Schubert uses the second cello to create dense and varied textures: sometimes the cello serves as a second bass instrument under a full quartet, sometimes it's a bass-rich quartet sans violin, and sometimes there is a rich interplay between instrumental sections.The first two movements have an expansive and deliberate buildup that seems to anticipate the sprawling structures of Anton Bruckner. One of the score’s mar­vels is the way Schu­bert moves the lis­ten­er from the qui­et Trio to a repeat of the Scher­zo — in only eight tran­si­tion mea­sures. The intro­duc­tion of the movement’s sec­ond theme by the two cel­los and the way Schu­bert jux­ta­pos­es the oth­er three instru­ments around this theme in the rest of the move­ment, is an exam­ple of a great mas­ter at the height of his pow­ers. Exact­ly why Schu­bert chose to add the sec­ond cel­lo is not known. The String Quintet in C Major – scored for two violins, a viola, and two ‘cellos – is widely believed to be among the handful of greatest chamber works ever composed. Dur­ing this final move­ment, Schu­bert again uses the cel­los in duet, con­trast­ing their solemn, broad musi­cal line with some­times scam­per­ing coun­ter­point from the high­er instru­ments, as though remind­ing us of the work’s ear­li­er move­ments.

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