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the abduction of ganymede story | Bread Market Cafe

the abduction of ganymede story

the abduction of ganymede story

Ganymede was usually depicted as a muscular young man, although Greek and Roman sculpture typically depicted his physique as less developed than athletes. His outstanding beauty caused Jupiter to fall in love with him. The Ganymede myth was treated in recognizable contemporary terms, illustrated with common behavior of homoerotic courtship rituals, as on a vase by the "Achilles Painter" where Ganymede also flees with a cock. 197; Bode 79 ; Dut. Homer describes Ganymede as the most beautiful of mortals, and in one version of the myth, Zeus falls in love with his beauty and abducts him in the form of an eagle to serve as cup-bearer in Olympus. 197. THE RAPE OF GANYMEDE. [29] Athenaeus recorded a version of the myth where Ganymede was abducted by the legendary King Minos to serve as his cupbearer instead of Zeus. If the picture (for the present description is taken from a print) be really by Rembrandt, his intention must have been to burlesque the mythological subject above stated, for he has represented the beautiful Ganymede as a great lubberly child, with a blubbering grimace of countenance, sprawling, with extended arms, in the talons and beak of the eagle Jupiter. [22][23] Edmund Veckenstedt associated Ganymede with the genesis of the intoxicating drink mead, which had a traditional origin in Phrygia. Michelangelo's Ganymede. In the Dresden Gallery, 1908 catalogue, No. According to Ovid (Met. Bright light falls from the left full on the boy. Ganymede and Zeus in the guise of an eagle were a popular subject on Roman funerary monuments with at least 16 sarcophagi depicting this scene. 197; Bode 79 ; Dut. 136. According to Vasari, the master created many other drawings for Tommaso, among them the "divine heads" in black and red chalk, such as the portrait of Cleopatra. In poetry, Ganymede became a symbol for the beautiful young male who attracted homosexual desire and love. 33 (175 florins). The Latin form of the name was Catamitus (and also "Ganymedes"), from which the English word catamite is derived. [47] The image of Ganymede was invariably that of a naive adolescent accompanied by an eagle and the homoerotic aspects of the legend were rarely dealt with. In Greek mythology, Ganymede /ˈɡænɪmiːd/[1] or Ganymedes /ɡænɪˈmiːdiːz/[2] (Ancient Greek: Γανυμήδης Ganymēdēs) is a divine hero whose homeland was Troy. Ganymede was a shepherd, the son of Tros, a legendary king of Troy. Ganymede had been tending sheep, a rustic or humble pursuit characteristic of a hero's boyhood before his privileged status is revealed. In 5 century Athens, the story of Ganymede became popular among vase-painters, which was suited to the all-male symposium. Jean-Baptiste Marie Pierre, Charles-Joseph Natoire, Guillaume II Coustou, Pierre Julien, Jean-Baptiste Regnault and others contributed images of Ganymede to French art during this period. Mentioned by Vosmaer, pp. The Rape of Ganymede. One of the earliest depictions of Ganymede is a red-figure krater by the Berlin Painter in the Musée du Louvre. The Abduction of Ganymede is a 1635 oil painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. In the Iliad, Zeus is said to have compensated Ganymede's father Tros by the gift of fine horses, "the same that carry the immortals", delivered by the messenger god Hermes. Royal Collection, Windsor Castle, The Abduction of Ganymede (1635) by Rembrandt, The Induction of Ganymede in Olympus (1768) by van Loo. Moreover, the Neoplatonic interpretation of the myth, so common in the Italian Renaissance, in which the rape of Ganymede represented the ascent to spiritual perfection, seemed to be of no interest to Enlightenment philosophers and mythographers. 1558. The story of Ganymede’s abduction appears quite old, and predates Homer’s Iliad, which gives a brief and simple account of the abduction. [36] Leochares (ca. 11 (11th ed.). Engraved by C. G. Schultze, by A. Cardon in Reveil, by L. Noel in " The Dresden Gallery." p. 454..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}, Young male figure from Greek mythology, "the most beautiful of mortals", Read by Timothy Carter, music by Steve Gorn, from the, Some variants of the myth have Ganymede snatched from, For the cockerel as an emblematic gift to the, Felipe E. Rojas, "Representing An-'Other' Ganymede: The Multi-Faceted Character of Ismael in, Worley, "The Image of Ganymede in France, 1730–1820: The Survival of a Homoerotic Myth,", Learn how and when to remove these template messages, Learn how and when to remove this template message, explain the fiction more clearly and provide non-fictional perspective, World History of Male Love: Zeus and Ganymede, The Zeus and Ganymede Myth: Analysis and Resources, Warburg Institute Iconographic Database (ca 200 images of Ganymede), https://en.wikipedia.org/w/index.php?title=Ganymede_(mythology)&oldid=974282774, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica, Short description is different from Wikidata, Articles needing additional references from May 2019, All articles needing additional references, Articles lacking reliable references from September 2019, Articles that need to differentiate between fact and fiction from August 2020, All articles that need to differentiate between fact and fiction, Articles with multiple maintenance issues, Articles with German-language sources (de), Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, In the early years of the twentieth century, the topos of Ganymede's abduction by Zeus was drafted into the service of commercial enterprise.

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